a5c7b9f00b In Pittsburgh, overwhelming evidence convicts Lara Brennan of killing her despised boss. For three years, while she's in county jail, her husband John cares for their young son and pursues appeals. When she loses, John decides to break her out. He consults a successful escape artist turned author, and he starts planning: he'll need to disrupt jail routine, get IDs and passports, know how to evade a dragnet, find a destination, and squirrel away cash. Then, he gets word that Lara will be transferred to prison within the next three days. He's out of time, and the cops are no dummies. How can he do the impossible?
Lara Brennan is arrested for murdering her boss with whom she had an argument. It seems she was seen leaving the scene of the crime and her fingerprints were on the murder weapon. Her husband, John would spend the next few years trying to get her released, but there's no evidence that negates the evidence against her. And when the strain of being separated from her family, especially her son, gets to her, John decides to break her out. So he does a lot of research to find a way.
This movie was really good. Forget what everyone else says about it (the critics). If you enjoy thriller movies that have a good pace to them, then watch this movie! <br/><br/>Not only was the acting good (Crowe was very good), but the movie itself was also very good. I don't want to give away anything about the movie but I love the type of movies that make use of every single scene (to ultimately piece together the movie). Watch the movie and watch it carefully. Everything makes sense and I dare say it was brilliant. I'm a sucker for these types of movies (thrillers) but I just think this movie was really good all-around.<br/><br/>Find out for yourself and watch it if you enjoy these types of movies. It makes you wonder what you would do if you were in a similar situation and you knew (like he knew) that it simply wasn't right….
Police procedurals were at one time quite popular, in the last century. "The next three days" allows you to take a peek from the opposite direction – a "crime procedural", you may say. Sure, there have been plenty of movies showing you how a crime has been planned and executed but this one goes to such length to truly deserve the abpve coined description. For example, it shows you an ingenious way of using a tennis balla tool to steal a car. A police acquires his methodical crime investigation skills through training. The would-be criminal here takes a DIY approach, with what elsehis main source of information but the Internet! <br/><br/>This two-hour movie is in three acts. The first act sets up the stage – a woman is plucked right in front of her husband and 3-year-old son, in her own home, by an arrest warrant for murder of her female boss. Most of this first half-hour is deployed to earn the audience's emotional rooting for the protagonists, and quite successfully. The next 45 minutes is the detailed "procedural" main section showing how a somewhat ordinary school teacher, absolutely believing in his wife's innocence of a murder charge that would put her behind bars for life, can be driven to planning a seemingly impossible crime of rescuing her from prison. The final act is the execution of his plan. The above is of course a simplification but the absorbing details would unfoldthe story develops.<br/><br/>As John Brennan the "hero" of the movie, Russell Crowe's favourite screen persona works again, and you can almost say that in this movie, he is very much "The gladiator", a hero with his latent power released in need. While Elizabeth Banks has most of her sense in the prison visitor reception room, she does have a good range of emotions showcase herethe unfortunate wife and mother, starting with hope, then despair, and then trying to shake her loving husband out of his "unreal world" by suggesting that he should really question her innocence. During the rescue, she goes through disbelief, bewilderment, reluctance and finally resignation to the unshakable conviction of her devoted husband. Her interaction with her alienated son six-year-old provides yet a different dimension. <br/><br/>This movie offers an interesting premise,wellprotagonists you can root for. There is also the standard crime thriller stuff and customary poignant scenes. The large array side characters, while not particularly memorable, are quite watchable, including Brian Dennehy (remember himthe benevolent alien in "Cocoon"?)Brennan's father and, Liam Neeson who, even almost just a cameo (the expert on prison-escapes Brennan consults) steals the show. What this movie is light on is humour. In the rare occasions it is attempted, they are almost like afterthoughts. One example is the play on the ambiguity of language, in Brennan's casual conversion with his six-year-old about a kids' fight:<br/><br/>Father: Where did you hit him? Son: On the playground. Father: Oh, that must have hurt.
The plot is worked out with care, and it takes its time, unapologetically, in a manner that's perfectly suited to thinking adults. The whole enterprise reeks of class.
One other theory may be that Lara was just actually "testing" her husband. She wanted to be sure that John believed her innocence at the point of not taking seriously even her "confession". This could explain her reaction to his words later at the phone visit. It might, but Lara never got the insulin. Dr Lifson (<a href="/name/nm0836548/">Trudie Styler</a>) takes a look at her blood work and notices the elevated glucose, so she orders Lara to be transported to University Hospital and says that she'll meet them there. During transport, Lara is given only oxygen, and John is following right behind her ambulance. When Lifson arrives at the hospital, the desk nurse says they started an IV with 20 units of insulin. However, when John breaks into her treatment room, the nurses are just starting to set up the IV, so Lara never received it. He's keeping a countdown. Pennington told him that the city center will be locked down in 15 minutes after reporting Lara's escape, and the interstates, secondary roads, airports, and train and bus stations will be locked down in 35 minutes. Consequently, John is keeping a tight watch on his time to make sure he gets out of Pittsburgh in time.There is no limit to the amount of money (cash, traveler's checks, money orders, etc.) you can carry on a U.S. airline. However, if you transport more than $10,000 in monetary instruments into or out of the United States, you must file a Customs Form 4790 with U.S. Customs. Since paper money is not very dense and won't show up on x-ray, there are several possibilities: (1) they split the money between them and hid it in their carry-on bags, (2) they simply didn't declare it, (3) John previously converted the cash into something like traveler's checks or $1,000 bills (to reduce the volume), or (4) John mailed a check or money order to himself at the address where he would be staying in Caracas. Given the meticulousness with which he planned the escape, it's unlikely that he would attempt to carry an entire gym bag filled with money on a flight to Venezuela. When Lara demands that they take their little son Luke (<a href="/name/nm1339223/">Ty Simpkins</a>) with them, John agrees to pick him up at the zoo. However, this puts him behind his time line, and they're not going to make it out of Pittsburgh. When he hears on the radio that traffic is backed up at the toll booths, that they have closed the train stations, and knowing that the police will be looking for a couple with a child, John gets the idea of going to the train station and offering a ride to an elderly couple who are stranded. They head for Buffalo, New York, easily passing through the toll check. From there, they go to the airport, slipping through the gate just before their photos appear on the list of people to stop. Meanwhile, the police have confiscated John's trash and are looking for cluesto where he might be headed. They find a ripped up photo of a presidential palace in Haiti and order the flight to Haiti stopped. The plane is searched, but they're not on it. That's because John left that photo to misguide the police. However, John's dad (<a href="/name/nm0001133/">Brian Dennehy</a>) knows exactly where they're going, having seen the airline tickets to Caracas, Venezuela. He opens an atlas, locates Caracas, and smiles. Detective Quinn (<a href="/name/nm0000892/">Jason Beghe</a>) returns to the parking garage to look for further clues. In a flashback, it's shown how Lara's boss was hit with a fire extinguisher by a junkie (<a href="/name/nm2410124/">Alissa Sullivan Haggis</a>), who then ran into Lara, snapping off a button and leaving a blood spot on Lara's backshe tried to get away. Lara then picks up the fire extinguisher (which has rolled next to her car), sets it up against the wall, and drives away, unaware that her boss is lying on the ground. Unfortunately, Lara is seen by a coworker. Quinn notices that it's starting to rain and follows the stream of water to the gutter. He lifts the grating and searches for a button but finds nothing. As he sets the grating back in place, a button falls out of a niche, but he doesn't notice it. Back in Caracas, John and Lara are staying in a small hotel room. Lara climbs into bed with Luke and, for the first time, Luke kisses her. In the final scene, John takes a picture of Luke and Lara together. No. The flashback at the end of the movie reinforces Lara's story, where it shows her bumping into the actual murderer before entering the parking garage. You can see the button that was torn off when she bumped into her in the sewer, confirming these events.
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